As usual, the tracks are rooted in improvisation but entail creative editing and mixing to give all of it a sense of fluidity. Whilst those foundational components provide the underlying structure for the works, there is an emphasis on the improvisatory and contingent evident throughout. The ostensibly incongruent ideas and genres present in Fetch could have easily fallen apart in less adroit hands, yet there is an air of articulate conversation and commentary to these four improvisations – an experienced group of musicians speaking and listening to one another through their instruments. Rainy Day Relaxation Road Trip. Introspection Late Night Partying. This borders on sorcery.
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Introspection Late Night Partying. The fourth album from Moritz von Oswald Moritz von oswald trio fetch in the same number of years, Fetch — like the studio albums Vertical Ascent and Horizontal Structures — consists of four lengthy pieces.
This borders on sorcery. In it, the barkeeps might serve burbling broths of kombucha and gin, or ayahuasca in a hollowed-out pineapple, shaded by cocktail umbrellas, perhaps with some sort of delectable psychotropic hors d’oeuvres on the side. It would be a place where earthly and celestial creatures of all shapes, sizes, colours, and cultures could commingle and work out their differences in a relaxed, comfortable environment. The Strange World Of The minute “Jam” deserves a less plain title.
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Fetch – Moritz von Oswald Trio | Songs, Reviews, Credits | AllMusic
As usual, the tracks are rooted in improvisation but entail creative editing and mixing to give all of it a sense of fluidity. Consisting of four oswalr compositions that gracefully entwine elements of dub, techno, and jazz, Fetch is an accomplishment in this type of concoctive postulating.
If you glance at the list of instrumentation and are familiar with the trio’s previous work, you might not be stunned that this set stirs up flashbacks to early-’70s Herbie Hancock.
Whilst those foundational components provide the underlying structure for the works, there is an emphasis on the improvisatory and contingent evident throughout. The fetcu incongruent ideas and genres present in Fetch could have easily fallen apart in less adroit hands, yet there is an air of articulate conversation and moriitz to these four improvisations – an experienced group of musicians speaking and listening to one another through their instruments.
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